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Example: Charles Darwin, Carl Linnaeus
Example: Birds, Classification, Mammals
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lines 4—3 score
lines 4—1 annotation only one muscle used !!


line 17 underline "Il ... rare"
lines 18—19 score
line 18 underline "score'ait ... deux"


lines 11—4 score


bottom-margin annotation vertically crossed Aftr speakng of th movemt of th limbs, he turn to tho of th face, & remarks,
lines 12—2 annotation “    ”
lines 11—3 score
lines 12—9 annotation vertically crossed (as in th ‹movg Limbs› movements of our limbs.)
lines 11—7 score
lines 10—9 underline "par ... seul"
lines 7—6 underline "caractéristiques ... homme"
lines 11—7 annotation vertically crossed !    good t show how Thery fails
line 5bottom-margin annotation Praise his book. well-knw for oth excellent Tretises, & add much undervalued ,in my opinion, by other writers — a vast step in advance
from End Slip annotation in brown ink p. 31.    showng absurdly how all «exprssn» created.


lines 5—3 double score


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lines 1—6 annotation All muscles continuous — says it is an illusion
from End Slip annotation in brown ink 38    ‹sh› decries «facial» muscles continuous.

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line 11 underline "petit zygomatique"


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lines 17—18 score
lines 17—21 annotation in Laughter upper palpebrae, also; but these disused in joy because associated with intense & painful attention.


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line 12 annotation eyes


lines 13—16 score


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lines 10—12 annotation No evidence


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figure at "F" annotation Litle Z
figure at "I" annotation gr. zy.
from End Note annotation in pale pencil p 2    woodcut of fac[?]ial


lines 15—17 score
from End Slip annotation in brown ink p. 8.    eyebrows— move least under will


lines 12—15 score


line 2 underline "ces ... gonfle"
line 2 annotation by mere corrugator


lines 7—8 score
line 8 underline "la ... sourcil"


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line 2 crossing-out "o"
line 2 at "dessous" annotation
show subjects concepts


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from End Slip annotation in brown ink —29    separation of pyramidal & frontal

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lines 2—10 annotation The contraction of th orbiculars by themslvs do not give look of Hardness.


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from End Slip annotation in brown ink 36 43 53 } antagonism of sourcilier & frontal


lines 8—11 score
lines 6—12 annotation Judgng by his experiments , the movement does seem entirely due to sourcilier
from End Slip annotation in brown ink 36 43 53 } antagonism of sourcilier & frontal

lines 18—21 score
lines 18—21 annotation which I suppose opposes sourcilier

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[continues overleaf] lines 4—3 score
2—1m+score


[continuation] 1—2 double score

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from End Slip annotation in brown ink 36 43 53 } antagonism of sourcilier & frontal


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lines 15—16 score
line 15 underline "paupière inférieure"
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lines 17—22 annotation in pale pencil See Large Plates
show subjects subjects


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lines 7—2 score
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[continues overleaf] 15 underline "lèvre inférieure"
line 16 underline "peu ... avant"
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from End Slip annotation in brown ink 75 triangular of lip



[continuation] 1—4 score


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show subjects subjects


top-margin annotation 81
show subjects concepts


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lines 15—17 score
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line 5 underline "les ... nez"


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lines 4—1 annotation in pale pencil The eyes bng open to see


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from End Slip annotation in brown inknot in Darwin's hand 180 on the pyramidal bringing down the «brows»


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from End Slip annotation in brown ink 184. In a false laugh the zygomatic is alone contracted


top-margin annotation Ch. Darwin
show subjects concepts


line 7 at "16" annotation 20

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annotation p 2    woodcut of fac[?]ial