dcsimg
Please read BHL's Acknowledgment of Harmful Content
Close Dialog

Text Sources

Page text in BHL originates from one of the following sources:
Uncorrected OCR Machine-generated text. May include inconsistencies with the content of the original page.
Error-corrected OCR Machine-generated, machine-corrected text. Better quality than Uncorrected OCR, but may still include inconsistencies with the content of the original page.
Manual Transcription Human-created and reviewed text. For issues concerning manual transcription text, please contact the original holding institution.
  • Pages
  • Table of Contents
Show More
URL for Current Page
 
Scientific Names on this Page

Indexed by Global Names
Book Title
Mécanisme de la physionomie humaine, ou analyse électro-physiologique de l'expression des passions
By
Duchenne, G.-B. (Guillaume-Benjamin), 1806-1875
Publication Details
Paris, Jules Renouard, 1862
DOI
https://doi.org/10.5962/bhl.title.50402
Holding Institution
Cambridge University Library
Sponsor
JISC & NEH
Copyright & Usage
Rights:
Darwin Estate and Cambridge University Library

Copyright Status:
In copyright


Search Inside This Book:
Results For:
Click/Shift+Click pages to select for download
Cancel Generate Review No Pages Added
Close Dialog Finish Review My PDF

Generate My PDF

If you are generating a PDF of a journal article or book chapter, please feel free to enter the title and author information. The information you enter here will be stored in the downloaded file to assist you in managing your downloaded PDFs locally.

Thank you for your request. Please wait for an email containing a link to download the PDF.

For your reference, the confirmation number for this request is .

Join Our Mailing List

Sign up to receive the latest BHL news, content highlights, and promotions.

Subscribe

Help Support BHL

BHL relies on donations to provide free PDF downloads and other services. Help keep BHL free and open!

Donate

There was an issue with the request. Please try again and if the problem persists, please send us feedback.

For your reference, the confirmation number for this request is .

  
Optional
Example: Charles Darwin, Carl Linnaeus
Example: Birds, Classification, Mammals
Contributed by Cambridge University Library
Annotation Not Available
Page 5
line 4 underline "1805"
lines 4—5 score
lines 6—7 underline "a composé"
⇑line 1u "4e ... 1820"
Page 20
lines 15—18 score
Page 22
⇑lines 4—3 score
⇑lines 4—1 annotation only one muscle used !!
Page 26
line 17 underline "Il ... rare"
lines 18—19 score
line 18 underline "score'ait ... deux"
Page 29
⇑lines 11—4 score
Page 31
bottom-margin annotation vertically crossed Aftr speakng of th movemt of th limbs, he turn to tho of th face, & remarks,
⇑lines 12—2 annotation “    ”
⇑lines 11—3 score
⇑lines 12—9 annotation vertically crossed (as in th ‹movg Limbs› movements of our limbs.)
⇑lines 11—7 score
⇑lines 10—9 underline "par ... seul"
⇑lines 7—6 underline "caractéristiques ... homme"
⇑lines 11—7 annotation vertically crossed !    good t show how Thery fails
⇑line 5—bottom-margin annotation Praise his book. well-knw for oth excellent Tretises, & add much undervalued ,in my opinion, by other writers — a vast step in advance
from End Slip annotation in brown ink p. 31.    showng absurdly how all «exprssn» created.
Page 33
⇑lines 5—3 double score
Page 34
lines 17—20 score
Page 36
⇑lines 4—1 score
Page 38
lines 1—5 score
lines 1—6 annotation All muscles continuous — says it is an illusion
from End Slip annotation in brown ink 38    ‹sh› decries «facial» muscles continuous.
⇑lines 2—1 score
Page 39
lines 1—3 score
lines 7—8 double score
⇑lines 5—3 double score
Page 40
lines 11—14 score
line 11 underline "petit zygomatique"
Page 42
⇑lines 15—1 score
Page 43
lines 1—34 score
lines 17—18 score
lines 17—21 annotation in Laughter upper palpebrae, also; but these disused in joy because associated with intense & painful attention.
Page 47
⇑lines 13—11 score
⇑line 12 annotation eyes
Page 51
lines 13—16 score
Page 52
lines 10—12 score
lines 10—12 annotation No evidence
Page 53
lines 7—10 score
Page 2
figure at "F" annotation Litle Z
figure at "I" annotation gr. zy.
from End Note annotation in pale pencil p 2    woodcut of fac[?]ial
Page 8
lines 15—17 score
from End Slip annotation in brown ink p. 8.    eyebrows— move least under will
Page 16
lines 12—15 score
Page 26
line 2 underline "ces ... gonfle"
line 2 annotation by mere corrugator
Page 27
lines 7—8 score
line 8 underline "la ... sourcil"
Page 28
lines 5—8 score
⇑line 2 crossing-out "o"
⇑line 2 at "dessous" annotation ⸮
show subjects concepts
Page 29
lines 7—11 score
from End Slip annotation in brown ink —29    separation of pyramidal & frontal
⇑lines 5—3 score
Page 30
lines 5—8 score
Page 31
lines 8—10 score
Page 32
lines 3—6 score
lines 2—10 annotation The contraction of th orbiculars by themslvs do not give look of Hardness.
Page 36
lines 7—9 score
from End Slip annotation in brown ink 36 43 53 } antagonism of sourcilier & frontal
Page 43
lines 8—11 score
lines 6—12 annotation Judgng by his experiments , the movement does seem entirely due to sourcilier
from End Slip annotation in brown ink 36 43 53 } antagonism of sourcilier & frontal
lines 18—21 score
lines 18—21 annotation which I suppose opposes sourcilier
⇑lines 9—6 score
[continues overleaf] ⇑lines 4—3 score
⇑2—1m+score
Page 44
[continuation] 1—2 double score
lines 3—5 double score
lines 6—7 double score
⇑lines 4—1 score
Page 53
lines 1—3 score
from End Slip annotation in brown ink 36 43 53 } antagonism of sourcilier & frontal
Page 56
lines 10—11 score
Page 59
lines 3—5 score
Page 61
⇑lines 6—3 score
Page 62
lines 15—16 score
line 15 underline "paupière inférieure"
lines 17—22 score
lines 17—22 annotation in pale pencil See Large Plates
show subjects subjects
Page 63
lines 13—14 score
⇑lines 7—2 score
show subjects subjects
Page 73
⇑lines 3—1 score
Page 75
[continues overleaf] 15 underline "lèvre inférieure"
line 16 underline "peu ... avant"
⇑lines 2—1 score
from End Slip annotation in brown ink 75 triangular of lip
Page 76
[continuation] 1—4 score
Page 78
lines 10—13 score
show subjects subjects
Page 81
top-margin annotation 81
show subjects concepts
Page 85
lines 7—10 score
Page 87
⇑lines 6—3 score
show subjects subjects
Page 89
lines 10—12 score
lines 15—17 score
show subjects subjects
Page 90
in pale pencil
lines 6—13 score
show subjects subjects
Page 91
lines 6—9 double score
show subjects subjects
lines 10—13 score
Page 92
⇑lines 6—1 score
show subjects subjects
Page 104
in pale pencil
⇑lines 6—4 score
⇑line 5 underline "les ... nez"
Page 105
lines 1—3 score
Page 106
lines 3—6 score
⇑lines 2—1 score
Page 107
⇑lines 7—5 score
Page 176
⇑lines 4—1 score
⇑lines 4—1 annotation in pale pencil The eyes bng open to see
Page 180
lines 14—21 score
from End Slip annotation in brown inknot in Darwin's hand 180 on the pyramidal bringing down the «brows»
Page 184
lines 13—17 score
from End Slip annotation in brown ink 184. In a false laugh the zygomatic is alone contracted
Page 
`original soft front cover'; in dark grey ink
top-margin annotation Ch. Darwin
show subjects concepts
End Matter 
`inner back cover'; maybe not in Darwin's handin black ink
line 7 at "16" annotation 20
lines 13—14 score
annotation p 2    woodcut of fac[?]ial